ToW: What can you tell us about the role of an Imperial propagandist, and the inspirations for the character of Simlex? ToW: What would you say your strengths are as a writer? Alternatively, what do you enjoy writing the most? Characters themselves are top notch ones. Lucille von Shard - a bratty and rebellious airhead rebel, best ace in the Imperium and a woman with a heavy burden on her soul. Lady-Governor Dolos - a magnificient queen of a dying world. Flight Sergeant Plient - a cheerful and competent soldier not unlike Jenit Sulla from Ciaphas Cain series. And of course many more others.

In the far future, the soldiers of the Imperium of Man fight monsters and aliens on many battlefields and there is always a need for fresh bodies to fill the gaps in the ranks. That is where Kile Simlex comes in. A talented propagandist, Simlex excels at creating moving cinematic picts to inspire the people and increase recruitment to the Astra Militarum. However, Simlex desires greater realism and seeks to travel to a battlefield to gain real footage for his greatest pict yet. Through the novel we learn that there are various approaches to the propagandists’ art, some involving semi-accurate portals of life within the Imperium, others splicing together image and sound to create whatever tale they deem suitable, irrespective of its relation to the truth. Simlex’s insistence of capturing the true face of war is rather unusual, and enough to raise eyebrows amongst his puritanical colleagues. His philosophy is difficult to refute however, as to do so would involve suggesting that the ‘true’ Imperium is a less than ideal place. At the beginning of the tale his star is in ascendance, and he is dismissive of the woefully inaccurate efforts produced by his predecessors. But his philosophy is tested when confronted by the realities of frontline conflict, where idealism clashes with the reality of war.

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Braving the foetid waters of Bacchus and its rampaging greenskin hordes, Simlex is tasked with producing a cinema-pict portraying Shard as an Imperial hero. Shortly after his arrival planetside, however, he discovers the war effort is in shambles the Imperium’s overstretched forces are in full retreat, the local planetary governor is desperately downplaying the conflict at every turn, and Shard is an arrogant misanthrope who only avoids sanction due to her consummate skills. Simlex’s cynicism develops interestingly; but his creeping horror as it dawns on him that the simple caricature of orks he has been raised to expect is a dangerous lie is excellently portrayed. Likewise the slow peeling away of Shard’s protective(?) personality and the uncovering of the cause of Bacchus’ decay and blight. His trio of servo skulls help progress the plot unobtrusively and I *really* appreciate the way that their use as translation devices is gradually introduced- the Xenos in this book, unlike several recent titles, aren’t conveniently fluent in Gothic. I deeply enjoyed the way that Flowers set out Outgunned’s narrative as there are so many great elements to it. Told in a chronicle format from Propagandist Simlex’s perspective as he recalls the events in a more realistic and negative light. This works to tell quite an intriguing tale, especially as you get some hints of the events of the future, and the negative tint that Simlex gives to the book’s narrative was a fantastic overall tone. Despite this interesting narration choice, this novel has a brilliant, fast pace to it and the reader is never left in a dull spot, as there is always some cool action, fascinating intrigue or powerful dive into a character occurring throughout. I loved the balance of story elements, and I must highlight the fantastic moments where Simlex works on his propaganda picts and dives through his recordings of the events around him. I also had a lot of fun with the outstanding ariel combat scenes that are featured through the plot. While they aren’t as heavily featured as you would expect from a book about the Aeronautica Imperialis, there are still some great sequences that were very fun to see. Flowers really captures the magic and brutality of combat in in the air, and I loved some of the crazy scenes that resulted, especially against the ork stronghold. There is also a particularly good fight sequence in the middle of a swamp that was pretty awesome, especially as it showed one character’s particular ingenuity and fighting spirit.

There are arrogant aces, waxed moustaches, airborne antics and a very generous amount of dakka - all the important parts of a good Warhammer 40,000 air-war...and that's without even considering the plot itself! ToW: Why this story? Of all the possible stories you could have written about these characters, what made you go for this one?DF: The story is told from the perspective of Simlex. He is a protégée, having produced numerous acclaimed picts employing a rather unorthodox approach. For Simlex strives to capture the true face of Imperium, rather than the tightly controlled facsimile favoured by his peers. He believes the God-Emperor is the custodian of truth, and a propagandist’s duty is to reveal it. This naivety blinds him to the political ramifications of his work; many of the Imperium’s servants strive to shroud the truth and will take whatever steps are necessary to ensure his work does not expose their own misdeeds. DF: I recently took voluntary redundancy, so in the last couple of months I have gone from working full time to being primary carer for my son and being a full-on house husband. So cooking, shopping, washing clothes and/or watching The Lego Batman Movie for the sixty-fifth time are all distinct possibilities. I also read and write, though not usually at the same time. However, his biggest threat may come from his chosen subject, as Lucille von Shard is an arrogant and disobedient pilot who has only avoided execution due to her peerless flying abilities. Determined to make the situation work, Simlex attempts to chronicle the reluctant Shard’s skills, while also investigating the strange occurrences on Bacchus. But is even the legendary Lucille von Shard capable of defeating the mysterious enemy waiting for them within the clouds? The Green Storm hungers for combat, and the entire Imperium may shake as it approaches. Simlex at least has the presence of mind to reevaluate the situation when presented with new evidence. Not all the characters in the novel share this trait. Ironically, this misplaced confidence is one of the reasons the situation is deteriorating, because taking proper steps to solve it would involve admitting that the current approach has failed. What began as a war story the book transforms into a Tarantino-style detective with really epic dialogues and scenes. Kile (and reader together with him) learns more and more about Bacchus, war, orks, politics and society of the Imperium of Man, and of course about Lucille von Shard - imperial fighter ace and heroine of his film. And all that is during the course of the plot, which is awesomely built, is extremely interesting and fabulously switches from grimderp to serious, from childish to mature, from tragedy to comedy, from farce to gritty realism, often during a single paragraph. Author isn't afraid to deconstruct and laugh out of gothic pathos - his characters aren't grimdark edgelords, they are living people first and foremost. They don't just fight and think about how to serve humanity, but also get drunk, eat heavily, laugh and yawn loud, spy on each other, accuse each other in having soiled themselves, get shat upon by birds and Imperium.