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Electric Ladyland

Electric Ladyland

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Hendrix allowed friends and guests to join them in the studio, which contributed to a chaotic and crowded environment in the control room and led Chandler to sever his professional relationship with Hendrix. [9] Bassist Noel Redding recalled: "There were tons of people in the studio; you couldn't move. It was a party, not a session." [10] Whitburn, Joel (2010). The Billboard Book of Top 40 Hits, 1955–2009 (9ed.). Billboard Books. ISBN 978-0-8230-8554-5.

All songs published by Intersong Music Ltd except B3 published by United Artists Music/CBS Songs Ltd and D3 published by B. Feldman & Co Ltd/EMI Music Larkin, Colin (2006). Encyclopedia of Popular Music. Vol.4. Oxford University Press. ISBN 0-19-531373-9.

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Seems to be a summary of his recordings from Electric Lady Studios. Not sure how much is unreleased British album certifications – Jimi Hendrix Experience – Electric Ladyland". British Phonographic Industry.

Matrix / Runout (Variant 1 - Runout Side D, Partially handwritten): YBARCX 69 450 2 930019 B 80 584 B M6 309404 2 Christgau, Robert (1969). "Robert Christgau's 1969 Jazz & Pop Ballot". Jazz & Pop . Retrieved April 17, 2014.Titles: This UK issue has no suffix to "Come On", "The" is prefixed to "Burning Of The Midnight Lamp" and "Cross Town" appears as two words. Sinclair, Paul (September 13, 2018). "Jimi Hendrix / Electric Ladyland 50th Anniversary Super Deluxe Edition". Super Deluxe Edition . Retrieved October 16, 2018. Murray, Robin (May 15, 2014). "Classic Album Sundays Toast Jimi Hendrix". Clash . Retrieved June 1, 2015.

Electric Ladyland (Media notes). 920 060/061. France: Barclay Records. 1968. (Liner notes). Cover Picture: Alain Dister / Inside picture: Jean-Pierre Leloir / Photographs of Mitch Mitchell and Noel Redding: Donald Silverstein The fully restored documentary At Last … The Beginning: The Making Of Electric Ladyland which documents the creation of the Jimi Hendrix Experience’s groundbreaking double album. Includes interviews with Chas Chandler, Mitch Mitchell, and Noel Redding as well as fascinating in-the-studio footage introduced by Eddie Kramer. McDermott, John; Kramer, Eddie (1992). Lewisohn, Mark (ed.). Hendrix: Setting the Record Straight. Grand Central. ISBN 978-0-446-39431-4.Doggett, Peter (2004). Jimi Hendrix: The Complete Guide to his Music. Omnibus. ISBN 978-1-84449-424-8. Jimi Hendrix, Electric Ladyland by Karl Ferris". San Francisco Art Exchange . Retrieved February 10, 2014.

Matrix / Runout (Variant 1 - Runout Side B, Partially handwritten): YPARTX 69 448 2 930018 B 80 583 B M6 309402 2 Electric Ladyland includes a cover of Bob Dylan's " All Along the Watchtower", which became the Experience's best-selling single, reaching number six in the UK and number 20 in the United States. Although the album confounded critics in upon its release, it has since been viewed as one of Hendrix's best works and one of the greatest albums of all time, and has been featured on many "greatest albums" lists, including Q's 2003 list of the 100 greatest albums and Rolling Stone 's 2020 list of the " 500 Greatest Albums of All Time", on which it was ranked 53rd. The vinyl: First release, 1st pressing 180 gram vinyl with original 'high-dynamic' mix. Produced in auto-coupled sequence;

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Epstein, Dan (2018). Jimi Hendrix’s ‘Electric Ladyland’: 10 Things You Didn’t Know. Rolling Stone Magazine In addition to getting a nice remastered Compact Disc of the core album (which sounds better than my likely late ’80s/early ’90s Reprise edition) you also get a CD of studio outtakes and demos plus a separate disc with a fascinating live concert recording. And of course you get the Blu-ray Disc containing the original album mix remastered in uncompressed 96 kHz, 24-bit resolution LPCM Stereo as well as a cool Making Of Electric Ladyland documentary. The Blu-ray disc also includes the whole album in 5.1 surround sound in both uncompressed 96 kHz, 24-bit LPCM form at DTS-HD Master Audio. Fairchild, Michael (April 1991). "The Experience of a Lifetime". Guitar: For the Practicing Musician. 8 (6).



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