HEADRUSH Active 2000-Watt Full-Range, Flat-Response 12-in/2-Way Cabinet for Guitar Multi FX and Amp Modelling Processors, Black, 12 Inch

£21.745
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HEADRUSH Active 2000-Watt Full-Range, Flat-Response 12-in/2-Way Cabinet for Guitar Multi FX and Amp Modelling Processors, Black, 12 Inch

HEADRUSH Active 2000-Watt Full-Range, Flat-Response 12-in/2-Way Cabinet for Guitar Multi FX and Amp Modelling Processors, Black, 12 Inch

RRP: £43.49
Price: £21.745
£21.745 FREE Shipping

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HeadRush have also announced the perfect matching flat response active speakers - the FRFR112 and FRFR108.Both perfectly complement your HeadRush Pedalboard, Gigboard, or any other multi-fx/amp modeller to give you a realistic, room-filling sound with the same authentic feel of a speaker pushing air! Headrush FRFR 112 is also a 2000-watt guitar and bass amplifier. It also has two XLR inputs in which you can plug in two instruments at once, and you can control their voices individually with the individual volume controllers. If the box is on the floor, it might bring some unwanted resonance. If we put a stand under it, then there will be no problem with it. All these Headrush powered boxes remind me of the Alto TS210s and similar powered boxes (I have 4 of the TS210s). If only because they look like they're sourced from the same manufacturer. I am aware there are some internal differences between the Alto TS312 series and the Headrush112, but I'm curious how the Headrush boxes actually sound for modelers. The FRFR 108 can travel with you because it is lighter and smaller than other models. In contrast, FRFR 112 is frequently chosen for long-term use in big spaces.

Honestly, I wonder if dialing tone in on any speaker will guarantee you won't want to tweak your tone in a live setting. PAs vary from venue to venue as well as the person working the board and how they choose to eq/mix you. One size fits all just doesn't seem realistic. That leaves me with dialing in my tone as best I can at home or at practice and then hoping for the best. BTW: this is no different than traditional guitar gear and PAs at a venue. In fact it's probably easier with the AX8 because there is no issue with mic placement. As far as the difference between the Alto and the HR, there is a Youtube video where someone compares the two. In all honesty I could not hear a major difference between the two (if at all). Might be my ears though .....Headrush 108 vs 112 both performed very well when delivering bass guitar through. However, FRFR 112 seems to be much more prominent.

HeadRush Electronics are a fairly new name in the guitar industry, but they’ve been making waves with their HeadRush Pedalboard and Gigboards. Both arethe ultimate in easy-to-use gig-rigs-in-a-boxand haveeverything youneed to go and get gigging without an amp or pedalboard setup.However, if you’re playing bigger venues, or you want to keep on-stage volume as quiet as possible (99% of the time, this will lead to a much better sound for everyone), then you’ll want to give FOH your signal. Some modellers might let you do this directly, however some of the best FRFR speakers do have a direct XLR output for this purpose. Of course, if you’re just playing at home, or jamming with friends, then you won’t need to dwell on this too much. What speakers to use with an amp modeler? Introducing the HeadRush FRFR-112, a 2000-watt full-range, flat-response powered cabinet that perfectly complements the HeadRush Pedalboard or any other multi-FX/amp modeller. It features a 12-in/2-way speaker, dual XLR/TRS 1/4” combo inputs with independent volume, contour EQ and a lightweight pole-mountable cabinet. The HeadRush Pedalboard stormed the market with ground-breaking innovation in FX and Amp modelling. Now that you’ve elevated your rig to the new industry-standard of today’s modellers, don’t rely on the limited frequency response of a traditional amplifier or PA speaker, take command of your tone with the FRFR-112. We built the HeadRush FRFR-112 just for you, the discerning guitarist/bassist. That’s why we focused on the key features you demand. Due to its small size, FRFR 108 is better for smaller rooms and studios. It has a good sound quality for the price it is selling for. It is very simple to use and easily installable. Now that you've elevated your rig to the new innovative standards of today's modelers, don't rely on the limited frequency response of a traditional amplifier or PA speakers. You need the FRFR-112. The HeadRush FRFR-112 is a 2000-watt full-range, flat-response powered cabinet that perfectly complements your HeadRush Pedalboard (or any other multi-FX/amp modeler) to give you a realistic room-filling sound with the authentic feel of a speaker pushing air.

The benefits of an FRFR speaker for your stage monitoring and a DI output for front of house is that the audience should get a near-identical sound as you are getting onstage – a sound that you’ve spent time making sure is absolutely perfect!Now, the 12" version may (I have never tried....) move a bit more air compared to the 8" which may give you a more amp feeling when playing. I don't think however that sonically there will be a major difference. In that respect I owned a Behringer KXD 12 for some time and that speaker really looked like an amp and actually also gave a bit that "amp in the room" feeling. As well as FRFR mode, you’ve also got a couple of different cabinet emulation options that will replicate how particular cabs sound. You don’t have to use these, but they can be really handy for nailing a particular sound. The Laney LFR-212 is loaded with a pair of specially voiced 12” drivers and a 1” LaVoce compression driver. With it being vertically loaded, you’ve got one speaker closer to your ear when stood up, so it’s great for stage monitoring.



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