That made it almost poetic justice that Deadpool made Xavier watch as he killed the X-Men in various ways. Deadpool seemed to hold a grudge here because forcing Wolverine to see his kids dying before killing him was more brutal than any other death in the series.

Besides the aforementioned women and children there are various animals (a dog, a panda, and a certain wolverine), aliens, and other knock-off versions. While his move to the Marvel Cinematic Universe as its first R-rated superhero movie already promised excitement, Reynolds gave fans another reason to get excited about the movie. The Avengers deaths were pretty bad, but it was a sudden kill that didn't match up with the rest of the kills in the series.

Levanta questões engraçadas e temos o Deadpool a ser o Deadpool, já mais em paz com as coisas que sabe (e aparentemente mais ninguém se apercebe). I'm not saying previous volumes should have handled a multiversal mass murder campaign with more lightheartedness and whimsy, but it's nice to finally see some of Deadpool's classic irreverence.

Given how abstract the Killology has been, I was a bit disappointed with how DKD turned out; first Deadpool, once again breaking the fourth wall, acknowledges a thing as Marvel continuity in its comics, even that he is a comics character existing in comic books, and attempts a surreal form of seppuku, and then he goes even further, going into books like Huck Finn, Moby Dick and Little Women to kill classic characters whom Marvel’s characters were loosely based upon. Definitely don't read if you can't stomach some decapitation, dismemberment, exploding brains, wrenched out guts, etc.First he decimated the Marvel Universe, then he corrupted the literary universe (Ideaverse), and now he's going to eliminate every version of himself in the multiverse.